M. Huddlestun

Selected Works:
A watercolor and ink work on paper.

Presence
2023
Watercolor, watercolor pencil, and ink on paper
Approx. 24 in x 24 in
1/13
A triptych of screenprinted pieces displayed vertically

Looking-Glass Matrices
2023
Multicolor screenprint with ink transfer on bristol
Approx. 18 in x 24 in per panel
2/13
A top-down view of the full edition of screenprinted zines, unfolded.

Welcome: Zine as Archive Full edition, unfolded
2023
Multicolor screenprint on paper
24 in x 18 in
3/13
An oil painting resembling the openeing of a portal on a square piece of canvas paper
The Well
2023
Oils on canvas paper
60 in x 42 in
4/13
A collection of 11 painted panels, watercolor on paper.
Heirlooms (Possession)
2023
Watercolor, gouache, and sumi ink on paper
6 in x 11 in per panel
5/13
Two tall horizontal works on paper next to one another.

Worm Conditions and Haunt
2023
Acrylic ink, sumi ink, watercolor, watercolor pencil, graphite pencil, and photo transfers on paper
18 in x 42 in
6/13
A large, horizontal work on paper
Crystallize (Sentinel Archetype)
2023
Watercolor, chalk pastel, sumi ink, watercolor pencil, and graphite pencil on paper
60 in x 42 in
7/13
A tall, vertical work featuring digital print and analog work.

Passage
2023
Digital print, photo transfers, watercolor, chalk pastel, and colored pencil on photo paper
44 in x 72 in
Documentation here | Digital arm available here.
8/13
A large, horizontal work on paper broken into four interlocking sections.
Reliquary
2023
Graphite pencil, watercolor, gouache, photo transfers, and watercolor pencil on paper
60 in x 30 in
9/13
An oil painting featuring interlocking items.

Curio
2023
Oils on canvas
18 in x 24 in
10/13
An oil painting breaking an heirloom into faceted dimensions.
Solace
2023
Oils on canvas
12 in x 9 in
11/13
A multi-panel composition in which four panels flank the sides of a large horizontal center panel.
The Hiding Place
2023
Watercolor, watercolor pencil, graphite pencil, chalk pastel, and transfers on paper
22 in x 42 in
12/13
Detail view of the Perspective mural.
Perspective, Installation view
2023
30 ft x 10 ft
Mural commission.
13/13

Beyond Exhibition:
View of the right-most gallery wall featuring City of Catacombs, Crystallize (Sentinel Archetype), and The Hiding Place.

Beyond installation view I
1/4
View of the back wall of the gallery space featuring Heirlooms (Possesssion) and The Gate.

Beyond installation view II
2/4
View of the left-most gallery wall featuring Haunt, The Well, and Worm Conditions.

Beyond installation view III
3/4
View of the wall with the exit door featuring Passage and Reliquary.

Beyond installation view IV
4/4

BFA solo exhibition at San José State University’s Jo Farb Hernández Gallery / Gallery III

Beyond is a body of work which functions as a collection of living myths, sciences, dialogues, and documents. Each work displays and is informed by the presence of overlapping and interconnected webs of cosmic ecologies and (super)natural histories; reckoning with the function of the pictorial plane as a space where content is at once summoned, represented, chronicled, and transformed. In this way the work engages with its subject on multiple levels, understanding the work as a dynamic presence which saturates and transmutes its surface as well as a living artifact born from its own documentation.

A process of generative toil and care undertaken in the breaths between crises and immense personal growth, the creation of Beyond is entangled with evolving relationships between grief, natural processes, magic, and medicine. Beyond treats the gallery walls as a support in themselves, the work’s presence disrupting the continuity of the space in order to transpose its own spatial context into the pre-existing context of the physical gallery. Each piece treats material and composition as elemental and animate, engaging with the tangible work as a means of accessing what is embodied within the work and by extension entering in a fruitful and reciprocal relationship.

Beyond’s creation and presence exists in a liminal state, a form of extant preservation and decay. Wayfinding through temporal, familial, and phenomenal spaces in the sphere of its artist while existing autonomously within their own evolving systems of life and lore. The existence of Beyond as an open gallery reaches into the space within which it was created to sustain a living architecture; a castle, a home, a sanctuary, and a place of remembrance. It is built from glittering fragments of insight both intimately personal and universally expansive; comfortably paradoxical in its existence here, within, and beyond.